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SOUL'd OUT Season's Greeting YouTube SOUL'd OUT Season's Greeting
akemashite

Heartsdales Feat. Soul'd Out - Candy Pop YouTube Heartsdales Feat. Soul'd Out - Candy Pop
PV of the video. That so many people are going crazy for all of a sudden. LOL, this track is from Heartsdales' Sugar Shine Album that was released in 2003. I wonder why the PV looks like it was made in 1990. ]= Lyrics (Diggy) I SEE YOU (Jewels & Rum) You see me (D) I GOT TOO MUCH CANDY POP IN ME CHUMIMII-N!! (R) RUM (D) Diggy (J) JEWELS (Bro. Hi) Bro. Hi (D) ON THIS T.S' TRACK HERE WE GO!! (R) HA! to, tomaru isshun no dekigoto feel the kodou (UH OH!) mita me OSHARE, sukoshi hade sukoshi dake jibun no TAIPU no kare moshikashite is he? CHEKKU ni mi ni kiteru nara it's time to get busy (WHOA!) sonna hot boy wa dare? hitome mita dakena noni naze? bump bump (D) ane imouto tomo ni bijin-san (R) VISION 3(san) (J & R)Diggy wa hasande sugosu SUNDAY (D) nante yake ni tekitou da nante nazomeita WORD to WORD SUKIMA nette IMAGINE THAT (J) imagine what?? Diggy-Mo' there's no telling what I'm gonna do hitorijime shitai every time me ga au tabi nan mo nakatta you ni I act demo naishin bakuhatsu impact kurau just like that OH OH OH OH! * (R & D) ou BOY oware GIRL mo mou doushiyou mo nai EMOTION desho?! (D) WAOOOOO (R) OH NO! cho, chotto matte datte hora I MIGHT BE SERIOUS (D) SO I SET MY HEART IN MOTION (R) ja, motto chanto misete yo ima ijou (D) WAOOOOO (R & D) demo yappa wakannai kamo IT'S JUST MYSTERIOUS (J) ei ei ei boy, Wanna ride? (B) Tonight? (J) kaerasenai all night (B) All right (J) futarikiri de asobitai (B) Right (J) kaeritakunai sunao ni just gonna say it, like this cause I wanna be with you (B) Me? (J) Yeah you (B) Me too (J) issho ni itai (B) Me too (J) asobitai with you cause I like the way you do the things you do (J & D) I like the way you talk to me I like the way you look at me (J) PURINSESU ni natta kibun demo koko kara shikenshoubu kaishi kimochi wa honki? (HUH??) asobi? (iya iya) hontou wa docchi? tell me futari no naka wa you & me mada setsumei wa dekinai it's just mystery (B) tokei no hari kizamu CHIKUCHIKU karadajuu de TOKUTOKU My heart beat konna Day time ni With you Le le lady (wa wa wa) kimi no PA PA perfume it's smells like ko-akuma no bishou... (R) No, betsu ni I'm not playin' hard to get (SAY WHAT?!) soba ni iru dake de boy, you make me feeI (SO) GOOD (SO) HOT (SO) FINE (SO) HIGH ** (R & D) sou tooi yume no WORLD todokisou ima ni mo ano RAINBOW (D) WAOOOOO (R) yoi sareta yo you na SITUATION ni MY HEART hashiridasu (D) te o totte DESTINY (R) tte nanka omoikomi docchi na no?? (D) WAOOOOO (R & D) demo moshikashite kono hito? IT'S JUST MYSTERIOUS (J) I rock the beat rock the beat rock rock Bro. Hi Trackmaster Shinnosuke's on my right Got Tricky Diggy Diggy dig SOUL'd OUT cru to HD 5(go)nin de we be extra ordinary mane dekinai kurai like strawberry SUGAR SHINE sooo sweet make you say "hottie" it's the DREAM TEAM One in a million, We going platinum (B) That's right orera Like a dynamite kou SANSAN to hikaru taiyou ni memai nan ja nai? (R) kibun ai ai motomeru kedo kedo tonight you're my boy (D) mou hashaijatte on CANDY POP airashii shigusa QT BABY I'M CURIOUS ABOUT WHAT YOU GOIN' DO (J) tagai ni hashirigimi? demo yarikiri? (D) THA WORLD CIRCLES AROUND US... dai-kanchigai!? (J) dakedo SOUL'd OUT Cru to Heartsdales CANDY POPPIN' and we don't stop OH! * repeat ** repeat (B) Hey-yo so so so girl you Wanna ride? (J) Tonight? (B) kaesanai ze All night (J) All right (B) futarikiri no konna joutai wa do- yo? (J) Right! (B) Don't be shy "kaeranai" to jika ni (J) Me? (B) Yeah you! (J) Me too (B) All the day with you "Boy meets girl" it's like nichijouteki na Miracle I wanna touch it. Lyrics by Cori @ www.corichan.com

Heartsdales Feat. Soul'd Out - Candy POp YouTube Heartsdales Feat. Soul'd Out - Candy POp
Heartsdales Candy Pop I love this song!!!

Soul'd Out Medley YouTube Soul'd Out Medley
MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. I'm back, and this is a collection of small pieces from the new project I'm part of, these pieces have been taken from our first show at Sofitel Jequitimar on Oct. 5, 2007... I will upload the whole songs, i'n just waiting for our DVD to be ready. Don't forget to rate, comment, and tell me which of these songs you wanna see the video from the dvd. I really missed you all while I've been out... ;) Kisses lead vocals: Luana Giampietro Background vocals: Dan Marcon Graciana Camacho Guitar: Marinho Ponci Bass: Fabio Ferri Drums: Angelo Kanaan Keyboards: Danilo Santana Horns: Rodrigo Bento Hombre

SEASIDE: SOUL'D OUT YouTube SEASIDE: SOUL'D OUT
This documentary will tell the story of Seaside, California, through my eyes. Growing up, the Seaside I experienced and loved was a predominantly black community, yet it exemplified great multiculturalism. With the historic Army Base, Fort Ord as its underpinning, Seaside became the ideal place for families of mixed races to settle. Many of my childhood friends were the children of black soldiers who had found wives abroad. Many were mixed with Filipino, Japanese, German, and Korean heritage. This is what made Seaside unique. But to really understand the history of Seaside, and the contributions blacks made there, and the disappearance of this rich culture we have to dig deeper, and we have to research. Dr. L.D. Roberts of New York founded Seaside in 1887. When he purchased the land from his uncle, which at the time was known as East Monterey, he soon subdivided all 150 acres into lots and sold them for twenty-five dollars each. In 1890, Roberts renamed this area "Seaside". In the early 1940s, Seaside saw an increase of black families due to the sardine canneries in Monterey, and the expansion of Fort Ord, which became the first military training division in the U.S. to integrate under orders from President Harry Truman when he signed the Executive Order 9981 in July of 1948 banning all segregation in the US Military (However Fort Ord did not implement the policy until 1951). Yet at the helm of Seasdie culture, was the Church. I remember the church as the center of everything. From Sunday school, to the choir, to holiday dinners, to sports programs, everyone seemed to be involved with the church one way or another. This is one reason the people in Seaside shared such a strong sense of community. The concept, "It takes a village to raise a child" was an acted-out policy. Everyone seemed to know each other, and neighbors were not timid to put a child acting unruly in their place. There was truly a strong sense of community. The 60's and 70's brought The Black Power movement, where Blacks began to play a major role as business owners and decision makers in the city. However, Blacks continued to be marginalized and politically suppressed in Seaside up until the late 1980s. Seaside since then, has seen a declining population of Blacks, and a significant increase in Latinos. For many, the prospect of a mini-chocolate city along the peninsula was a great hope, that still haunts me today. Are the changes in Seaside inevitable? Were Blacks forced out because of lack of opportunity? Or did we sell out? Our homes, our businesses, our relationships--our community. My documentary will explore these questions, while at the same time exhibit the great significance this small, coastal town had in our nation. -Levelle McKinney


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